THE PREFACE

THE artist is the creator of beautiful things.
            To reveal art and conceal the artist is art's aim.
The critic is he who can translate into another manner or a new material
his impression of beautiful things.
             The highest as the lowest from of criticism is a mode of
             autobiography.
Those who find ugly meanings in beautiful things are corrupt without
being charming. This is a fault.
                          Those who find beautiful meanings in beautiful things are
                          the cultivated. For these there is hope.
    They are the elect to whom beautiful things mean only Beauty.
              There is no such thing as a moral or an immoral book.
              Books are well written, or badly written. That is all.
The nineteenth century dislike of Realism is the rage of Caliban seeing
his own face in a glass.
                        The nineteenth century dislike of Romanticism is the rage
                        of Calian not seeing his own face in a glass.
       The moral life of man forms part of the sbject-matter of the artist.
       but the morality of art consists in the perfect use of an imperfect
       medium.

  No artist desires to prove anything. Even things that are true can be
  proved.
            No artist has ethical sympathies. An ethical sympathy in an
            artist is an unpardonable mannerism of style.

                      No     artist     is    ever     morbid.    The    artist   can    express
                      everythings.
        Thought and language are to the artist instruments of an art.
             Vice and virture are to the artist materials for an art.
From the point of view of form, the type of all the arts is the art of the
musician. From the point of view of feeling ,the actor's craft is the
type. 
                   All art is at once surface and symbol.
       Those who go beneath the surfce do so at their peril.
                         Those who read he symbol do so at their peril.
It is the spectator, and not life, that art realy mirrors.
   Diversity of opinion about a work of art shows that the work is new,
   complex, and vital.
       When critics diagree the artist is in accod with himself.
We can forgive a man for making a useful thing as long as he does not
admire it. The only excuse for making a useless thing is that one admires
it intensely.
                 All art is quite useless.

                                                                                                                                                     OSCAR WILDE


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panda78 2005-10-11 23:14   좋아요 0 | 댓글달기 | URL
하이드님이 주신 오스카 와일드 책 생각나요. 쬐끄맣고 이쁘고 귀여운 책. ^^

mannerist 2005-10-11 23:14   좋아요 0 | 댓글달기 | URL

버럭- 이 명문을 이제 읽었단 말이오!! ^_^o-


하이드 2005-10-11 23:18   좋아요 0 | 댓글달기 | URL
아하하 . 무슨 말인가 한참 생각했잖어. 톨킨 전기를 어제 읽었단 말인가. 도리안 그레이 서문을 어제 읽었단 말인가.
큭. 도리안 그레이 서문은 방금 읽고 필받아서 적은 것임.
그러고 보니 그 문장이 낯익다 했다.

하이드 2005-10-11 23:18   좋아요 0 | 댓글달기 | URL
아, 판다님. 네. 생각나요. 예전에 필라델피아 갔다가 사온 쪼끄만 오스카와일드 명언집. ^^

하이드 2005-10-11 23:19   좋아요 0 | 댓글달기 | URL
아, 다시 보니 어제가 아니라 이제구나. -_-;; 나 왜이러지.

하이드 2005-10-11 23:22   좋아요 0 | 댓글달기 | URL

30639305

아, 아깝다. 끝자리 맞았으면 대박인데.


mannerist 2005-10-11 23:40   좋아요 0 | 댓글달기 | URL
흐흐... 그걸 바이마르 괴테네 집앞에 드러누워 소리내 읽다가, 다시 파리 와서 오스카 와일드 무덤 앞에서 죽치고 앉아 또 읽었다우. 어찌 잊을까. =)

2005-10-11 23:56   URL
비밀 댓글입니다.

2005-10-12 00:41   URL
비밀 댓글입니다.

2005-10-12 00:41   URL
비밀 댓글입니다.

비로그인 2005-10-15 23:25   좋아요 0 | 댓글달기 | URL
퍼갑니다. 단순히 좋다는 말밖에 할 수 없는 제 말솜씨에 한탄하며.