[오늘의 한문장] Big Magic: Creative Living Beyond Fear

"Quit your complaining. It’s not the world’s fault that you wanted to be an artist. It’s not the world’s job to enjoy the films you make, and it’s certainly not the world’s obligation to pay for your dreams. Nobody wants to hear it. Steal a camera if you must, but stop whining and get back to work." - P115

We make things because we lik...

We make things because we like making things. - P87

All of which is to say: You do not need a permission slip from the principal’s office to live a creative life. - P89

No, creative entitlement simply means believing that you are allowed to be here, and that—merely by being here—you are allowed to have a voice and a vision of your own. - P92

The poet David Whyte calls this sense of creative entitlement "the arrogance of belonging," and claims that it is an absolutely vital privilege to cultivate if you wish to interact more vividly with life. - P92

I would so much rather that you wrote a book in order to entertain yourself than to help me. - P98

So take your insecurities and your fears and hold them upside down by their ankles and shake yourself free of all your cumbersome ideas about what you require (and how much you need to pay) in order to become creatively legitimate. - P108

All I had to do in order to learn from Dickens was to spend years privately studying his novels like they were holy scripture, and then to practice like the devil on my own. - P108

The sooner and more passionately you get married to this idea—that it is ultimately entirely up to you—the better off you’ll be. - P110

[오늘의 한문장] The Vulnerables : 'As funny as it is painfully honest' (Paula Hawkins)

Only when I was young did I believe that it was important to remember what happened in every novel I read.
Now I know the truth: what matters is what you experience while reading, the states of feeling that the story evokes, the questions that rise to your mind, rather than the fictional events described. - P3

[오늘의 한문장] 그해 봄의 불확실성

<불확실한 봄이었다.>
오래전에 읽은 책이라 이 문장 말고는 내용이 거의 기억나지 않았다. 그러니까 나는 책에 등장하는 인물들이나 그들에게 일어난 일들에 대해 말할 수가 없었을 것이다. 그 책이 1880년에 시작되었다는 것도(나중에 찾아보기 전까지는) 말할 수 없었을 것이다. 뭐, 그게 중요하다는 얘긴 아니다. 내가 읽은 소설들에서 무슨 일들이 일어났는지 기억하는 게 중요하다고 믿었던건 어릴 적뿐이었다. 이제 나는 중요한 것이 책에 서술된 허구의 사건들보다는 독서 중의 체험, 책 속 이야기가 일으키는 감정 상태, 머리에 떠오르는 질문들이라는 진실을 안다. - P9

Most dangerously of all, such...

Most dangerously of all, such thinking assumes that if you cannot win, then you must not continue to play. - P70

At the very least, she could have tricked everyone into forgetting that she’d once been Harper Lee. She could have tricked herself into forgetting that she’d once been Harper Lee, which might have been artistically liberating. - P71

Just because creativity is mystical doesn’t mean it shouldn’t also be demystified—especially if it means liberating artists from the confines of their own grandiosity, panic, and ego. - P72

It was a tale of enchantment, written under enchantment, and even a stranger could feel the fairy dust in it. - P73

When that assistance does arrive—that sense of the moving sidewalk beneath my feet, the moving sidewalk beneath my words—I am delighted, and I go along for the ride. In such instances, I write like I am not quite myself. I lose track of time and space and self. - P74

All I know for certain is that this is how I want to spend my life—collaborating to the best of my ability with forces of inspiration that I can neither see, nor prove, nor command, nor understand. - P78

They just made stuff. So that’s what I decided to do: I decided to just go make stuff. - P85