What does it mean, for a writer, to write without her own authority? Can I call myself an author, if I don‘t feel authoritative?

How is it possible that when I write in Italian I feel both freer and confined, constricted? Maybe because in Italian I have the freedom to be imperfect.

Why does this imperfect, spare new voice attract me? What does it mean to give up a palace to live practically on the street, in a shelter so fragile?

Maybe because from the creative point of view there is nothing so dangerous as security.


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