Remorse extinguished every hope. I had been the author of unalterable evils; and I lived in daily fear, lest the monster whom I had created should perpetrate some new wickedness. I had an obscure feeling that all was not over, and that he would still commit some signal crime, which by its enormity should almost efface the recollection of the past. There was always scope for fear, so long as any thing I loved remained behind. My abhorrence of this fiend cannot be conceived. When I thought of him, I gnashed my teeth, my eyes became inflamed, and I ardently wished to extinguish that life which I had so thoughtlessly bestowed. When I reflected on his crimes and malice, my hatred and revenge burst all bounds of moderation. I would have made a pilgrimage to the highest peak of the Andes, could I, when there, have precipitated him to their base. I wished to see him again, that I might wreak the utmost extent of anger on his head, and avenge the deaths of William and Justine. - P77

Every body believed that poor girl to be guilty; and if she could have committed the crime for which she suffered, assuredly she would have been the most depraved of human creatures. - P77

If our impulses were confined to hunger, thirst, and desire, we might be nearly free; but now we are moved by every wind that blows, and a chance word or scene that that word may convey to us. - P81

We rest; a dream has power to poison sleep. We rise; one wand’ring thought pollutes the day. We feel, conceive, or reason; laugh, or weep, Embrace fond woe, or cast our cares away; It is the same: for, be it joy or sorrow, The path of its departure still is free. Man’s yesterday may ne’er be like his morrow; Nought may endure but mutability! - P81

He approached; his countenance bespoke bitter anguish, combined with disdain and malignity, while its unearthly ugliness rendered it almost too horrible for human eyes. - P81

"I expected this reception," said the daemon. "All men hate the wretched; how then must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends." - P82

Remember, that I am thy creature: I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Every where I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous." - P82

Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. - P82


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모든 그림이 ‘짠’ 하고 커튼을 열어 안을 보여주는 건물 1층의 창문들처럼 보였다. 보통 한 전시실에는 네 면의 벽에 걸쳐 열 개에서 스무 개 정도의 금테를 두른 ‘창문’이 나 있다. - <나는 메트로폴리탄 미술관의 경비원입니다>, 패트릭 브링리 - 밀리의 서재
https://www.millie.co.kr/v3/bookDetail/bbedd3972f284f8b - P53

그렇게 조용하던 어느 날 아침, 눈을 비벼 남아 있는 졸음을 쫓으며 고개를 들었는데 바로 눈앞에 〈스페인 왕녀 마리아 테레사María Teresa, Infanta of Spain〉(훗날 프랑스 루이 14세의 왕비가 된 마리아 테레사 왕녀를 그린 초상화. 스페인의 궁정화가로 활동했으며 대작 〈시녀들Las Meninas〉로 유명한 디에고 벨라스케스Diego Velázquez의 작품–옮긴이)가 있었다. - <나는 메트로폴리탄 미술관의 경비원입니다>, 패트릭 브링리 - 밀리의 서재
https://www.millie.co.kr/v3/bookDetail/bbedd3972f284f8b - P54

포니테일을 한 예쁘장한 젊은 엄마가 1665년경에 그려진 진주 귀걸이를 한 소녀의 초상화(〈젊은 여성-습작Study of a Young Woman〉, 요하네스 페르메이르의 대표작 〈진주 귀걸이를 한 소녀The Girl with a Pearl Earring〉와 비슷한 시기에 그려진 같은 테마의 작품으로 작가 특유의 구도와 명암 처리 기법을 볼 수 있다–옮긴이) 앞에 선다. - <나는 메트로폴리탄 미술관의 경비원입니다>, 패트릭 브링리 - 밀리의 서재
https://www.millie.co.kr/v3/bookDetail/bbedd3972f284f8b - P56

16세기 베네치아의 가장 위대한 화가는 ‘티션Titian’이라는 애칭으로 불리는 티치아노 베첼리오Tiziano Vecellio다. 마치 물웅덩이와 적포도주를 섞어서 색을 빚어내기라도 하듯 그는 자신이 그려내는 광경을 장미빛으로 감쌌다. 나는 그의 명작 〈비너스와 아도니스Venus and Adonis〉(로마의 시인 오비디우스의 『변신 이야기』에 등장하는 설화 속 한 장면을 표현한 그림–옮긴이)에 다가간다. - <나는 메트로폴리탄 미술관의 경비원입니다>, 패트릭 브링리 - 밀리의 서재
https://www.millie.co.kr/v3/bookDetail/bbedd3972f284f8b - P60

그림 안의 시간은 한순간에 얼어붙었다기보다 흘러들어 고인 느낌이다. 과거와 미래가 생명력 넘치는 현재에 휩싸인 듯 이 젊은이는 가차 없는 시간의 화살을 피할 수 있기라도 하는 듯하다. - <나는 메트로폴리탄 미술관의 경비원입니다>, 패트릭 브링리 - 밀리의 서재
https://www.millie.co.kr/v3/bookDetail/bbedd3972f284f8b - P62

하지만 살아 있는 자연은 전혀 그런 식으로 작동하지 않아. 겹치는 것도 엄청나게 많고, 빙빙 돌고, 주제 하나를 놓고 수백만 개의 변형을 만들어내. 그래서 4분의 3쯤 잘못돼도 생명체는 죽질 않아. 그 결과로 생기는 게 골드버그 장치 같은 건데, 무지 튼튼한 골드버그 장치인 거지. 상상할 수 없을 만큼 괴상하고 엄청나게 여러 겹을 가진 물건이 탄생하는 거야. - <나는 메트로폴리탄 미술관의 경비원입니다>, 패트릭 브링리 - 밀리의 서재
https://www.millie.co.kr/v3/bookDetail/bbedd3972f284f8b - P77


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It was a divine spring; and the season contributed greatly to my convalescence. I felt also sentiments of joy and affection revive in my bosom; my gloom disappeared, and in a short time I became as cheerful as before I was attacked by the fatal passion. - P55

A servant in Geneva does not mean the same thing as a servant in France and England.
Justine, thus received in our family, learned the duties of a servant; a condition which, in our fortunate country, does not include the idea of ignorance, and a sacrifice of the dignity of a human being. - P58

After what I have said, I dare say you well remember the heroine of my little tale: for Justine was a great favourite of yours; and I recollect you once remarked, that if you were in an ill humour, one glance from Justine could dissipate it, for the same reason that Ariosto gives concerning the beauty of Angelica*
—she looked so frank-hearted and happy. - P58

This benefit was fully repaid; Justine was the most grateful little creature in the world: I do not mean that she made any professions, I never heard one pass her lips; but you could see by her eyes that she almost adored her protectress. Although her disposition was gay, and in many respects inconsiderate, yet she paid the greatest attention to every gesture of my aunt. She thought her the model of all excellence, and endeavoured to imitate her phraseology and manners, so that even now she often reminds me of her. - P58

She is very clever and gentle, and extremely pretty; as I mentioned before, her mien and her expressions continually remind me of my dear aunt. - P59

Ever since the fatal night, the end of my labours, and the beginning of my misfortunes, I had conceived a violent antipathy even to the name of natural philosophy. - P59

When you read their writings, life appears to consist in a warm sun and garden of roses,—in the smiles and frowns of a fair enemy, and the fire that consumes your own heart. How different from the manly and heroical poetry of Greece and Rome. - P60

*the beauty of Angelica: Angelica is the heroine of Ariosto‘sOrlando Furioso (1516).

"William is dead!—that sweet child, whose smiles delighted and warmed my heart, who was so gentle, yet so gay! Victor, he is murdered! - P62

Those maxims of the Stoics, that death was no evil, and that the mind of man ought to be superior to despair on the eternal absence of a beloved object, ought not to be urged. Even Cato wept over the dead body of his brother." - P64

As I said these words, I perceived in the gloom a figure which stole from behind a clump of trees near me; I stood fixed, gazing intently: I could not be mistaken. A flash of lightning illuminated the object, and discovered its shape plainly to me; its gigantic stature, and the deformity of its aspect, more hideous than belongs to humanity, instantly informed me that it was the wretch, the filthy daemon to whom I had given life. What did he there? Could he be (I shuddered at the conception) the murderer of my brother? No sooner did that idea cross my imagination, than I became convinced of its truth; my teeth chattered, and I was forced to lean against a tree for support. The figure passed me quickly, and I lost it in the gloom. Nothing in human shape could have destroyed that fair child. He was the murderer! I could not doubt it. The mere presence of the idea was an irresistible proof of the fact. I thought of pursuing the devil; but it would have been in vain, for another flash discovered him to me hanging among the rocks of the nearly perpendicular ascent of Mont Salève, a hill that bounds Plainpalais on the south. He soon reached the summit, and disappeared. - P65

Nothing in human shape could have destroyed that fair child. He was the murderer! I could not doubt it. The mere presence of the idea was an irresistible proof of the fact. I thought of pursuing the devil; but it would have been in vain, for another flash discovered him to me hanging among the rocks of the nearly perpendicular ascent of Mont Salève, a hill that bounds Plainpalais on the south. He soon reached the summit, and disappeared. - P65

I considered the being whom I had cast among mankind, and endowed with the will and power to effect purposes of horror, such as the deed which he had now done, nearly in the light of my own vampire, my own spirit let loose from the grave, and forced to destroy all that was dear to me. - P65

"You are all mistaken; I know the murderer. Justine, poor, good Justine, is innocent." - P67

She was now a woman in stature and expression of countenance, which was uncommonly lovely. - P67

An open and capacious forehead gave indications of a good understanding, joined to great frankness of disposition. Her eyes were hazel, and expressive of mildness, now through recent affliction allied to sadness. Her hair was of a rich dark auburn, her complexion fair, and her figure slight and graceful. She welcomed me with the greatest affection. - P67

During the whole of this wretched mockery of justice, I suffered living torture. It was to be decided, whether the result of my curiosity and lawless devices would cause the death of two of my fellow-beings: one a smiling babe, full of innocence and joy; the other far more dreadfully murdered, with every aggravation of infamy that could make the murder memorable in horror. - P69

A thousand times rather would I have confessed myself guilty of the crime ascribed to Justine; but I was absent when it was committed, and such a declaration would have been considered as the ravings of a madman, and would not have exculpated her who suffered through me. - P69

I hope the character I have always borne will incline my judges to a favourable interpretation, where any circumstance appears doubtful or suspicious." - P70

Could the daemon, who had (I did not for a minute doubt) murdered my brother, also in his hellish sport have betrayed the innocent to death and ignominy. - P71

The ballots had been thrown; they were all black, and Justine was condemned. - P71

Ever since I was condemned, my confessor has besieged me; he threatened and menaced, until I almost began to think that I was the monster that he said I was. He threatened excommunication and hell fire in my last moments, if I continued obdurate. - P72

Dear William! dearest blessed child! I soon shall see you again in heaven, where we shall all be happy; and that consoles me, going as I am to suffer ignominy and death. - P72

Oh! how I hate its shews and mockeries! when one creature is murdered, another is immediately deprived of life in a slow torturing manner; then the executioners, their hands yet reeking with the blood of innocence, believe that they have done a great deed. They call this retribution. Hateful name! When that word is pronounced, I know greater and more horrid punishments are going to be inflicted than the gloomiest tyrant has ever invented to satiate his utmost revenge. - P73

Thus the poor sufferer tried to comfort others and herself. She indeed gained the resignation she desired. But I, the true murderer, felt the never-dying worm alive in my bosom, which allowed of no hope or consolation. - P73

Anguish and despair had penetrated into the core of my heart; I bore a hell within me, which nothing could extinguish. - P73

Amiable cousin! such were your thoughts, mild and gentle as your own dear eyes and voice. But I — I was a wretch, and none ever conceived of the misery that I then endured. - P74

Nothing is more painful to the human mind, than, after the feelings have been worked up by a quick succession of events, the dead calmness of inaction and certainty which follows, and deprives the soul both of hope and fear. Justine died; she rested; and I was alive. The blood flowed freely in my veins, but a weight of despair and remorse pressed on my heart, which nothing could remove. - P76


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It was on a dreary night of November, that I beheld the accomplishment of my toils. - P52

I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs. - P52

His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shrivelled complexion, and straight black lips. - P52

Oh! no mortal could support the horror of that countenance. A mummy again endued with animation could not be so hideous as that wretch. I had gazed on him while unfinished; he was ugly then; but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived. - P53

Mingled with this horror, I felt the bitterness of disappointment: dreams that had been my food and pleasant rest for so long a space, were now become a hell to me; and the change was so rapid, the overthrow so complete! - P53

Like one who, on a lonely road, Doth walk in fear and dread, And, having once turn’d round, walks on, And turns no more his lead; Because he knows a frightful fiend Doth close behind him tread.* - P53


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‘But these philosophers, whose hands seem only made to dabble in dirt, and their eyes to pore over the microscope or the crucible, have indeed performed miracles.’
Mary Shelley, Frankenstein - P9

The novel, first published in 1818, was to dominate her literary legacy just as the monster dominated the life of his creator, Victor Frankenstein. Frankenstein gave Mary fame, if not fortune, and was recognised early on as a classic of English literature. In 1831 it was included in a series of standard English novels and this second publication gave Mary the opportunity to revise and edit her work. It is this later edition that is more widely read, but this book will examine both editions. - P9

This book looks at many of the influences on the novel and particularly the science behind the story. - P10


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